{"version":"1.0","provider_name":"Bit\u00e1cora","provider_url":"http:\/\/marcoscasanova.com\/blog","author_name":"Marcos Casanova","author_url":"http:\/\/marcoscasanova.com\/blog\/author\/marcoscasanova-2\/","title":"El arte del encuadre - Bit\u00e1cora","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"n48wCtgAjy\"><a href=\"http:\/\/marcoscasanova.com\/blog\/2015\/02\/14\/el-arte-del-encuadre\/\">El arte del encuadre<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"http:\/\/marcoscasanova.com\/blog\/2015\/02\/14\/el-arte-del-encuadre\/embed\/#?secret=n48wCtgAjy\" width=\"600\" height=\"338\" title=\"\u00abEl arte del encuadre\u00bb \u2014 Bit\u00e1cora\" data-secret=\"n48wCtgAjy\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/marcoscasanova.com\/blog\/wp-content\/uploads\/2015\/02\/blog-drive-a.jpg","thumbnail_width":1000,"thumbnail_height":600,"description":"Tal y como nos muestra\u00a0Tony Zhou\u00a0en su recomendable p\u00e1gina de\u00a0Facebook, titulada \u00abEvery Frame a Painting\u00ab, el encuadre es una herramienta fundamental para trabajar la narrativa audiovisual. Su interesante serie\u00a0online\u00a0de ensayos, sobre la forma del medio cinematogr\u00e1fico, es una fuente inagotable de recursos para ilustrar\u00a0las claves del lenguaje audiovisual. Y un buen ejemplo de ello ser\u00eda [&hellip;]"}